יצירות המופיעות באתר ויוצריהן
c. 1513 – 1515
Myoung Ho Lee
South Korean photographer Myoung Ho Lee adapts his one of his singular Tree photographs for a large-scale billboard set in deCordova’s verdant Sculpture Park. Traveling across South Korea and Mongolia, Lee searches for stunning, solitary trees to photograph. Once he finds the perfect subject, a production crew hoists a blank canvas behind the tree as Lee captures it with his large format camera. He later digitally erases the cranes, ropes, and assistants, leaving only traces of their existence in the final composition. Tree…#2 distills the natural beauty of Lee’s travels, while also revealing the performative nature of photography that is often concealed.
What I took as a literary critic from the landscape of page-a-day Talmud study
A final illustration for Tablet Magazine’s series on the writing and design of the Talmud. I was asked to implement bloody chickens, incense, seminal fluid, menstruation, walls that extend to heaven, donkeys, lambs, circumcisions, showbread, olive oil, tzitzit, farts, misogyny, dirty underwear, logical deductive reasoning, idolatry, wine, Abraham's penis, a flying duck, lashings, stonings, capital punishment, rabbinical courts, forged documents, a cucumber, sharp knives, 750-mile-high waves, wrestlers, Roman coins, a camel causing a fire, bearded women, a kidnapped person, a grasshopper spy, bestiality, a magical potion, transvestites, women without underarm hair, grape-eaters, lepers, carcasses, clocks, math problems, incest, rape, nakedness, adultery, prostitutes, hermaphrodites, eunuchs, etrogs, jugglers, acrobats, the moon, gamblers, usurers, bowls full of sacrificial blood, figs, elephants and more but as there were time and size constrictions I had to leave some stuff out.
A detail from Moses with the Ten Commandments
Sacrifice of Isaac
1603-1604. Oil on canvas, 104 x 135 cm. Galleria degli Uffizi, Florence
Elijah Taken Up in a Chariot
of Fire, c. 1740/1755
Moses Sees the Promised Land From Afar
James Jacques Joseph Tissot
Date: c. 1896-1902 thejewishmuseum.org
The Gathering of the Manna
oil on panel (67 × 51 cm) — c. 1467
The two men to the right are thought to be Moses and Aaron. Aaron is dressed in the outfit of priests: a white gown and a point-shaped hat. They look on as the people gathers the manna from heaven.
The long journey through the desert had left the Jewish people hungry. They started complaining about Moses's leadership. God then had the manna fall from the sky, white bread that tasted like honey.
This oak panel was painted by an unknown master who probably was active in Leiden between 1460 and 1470. Art historians use the subject of this panel for his 'notname', lacking properly documented information.
La Genèse et l'Exode
Musée National, Cimiez, France
The Body of the Dead Christ in the Tomb
30.5 cm × 200
Hezekiah Manasseh Amon
John the Baptist in the Wilderness
Geertgen tot Sint Jans
The Two Priests Are Destroyed
c. 1896-1902. The Jewish Museum
Pieter Bruegel the Elder